Nicola Morgan

Author, Speaker, Supporter

Understanding and Supporting Your Teenagers – few spaces left and I’m not doing it again!

Working with your publisher (to promote your book)

Launch of The Highwayman’s Curse, on TV

This is for traditionally published authors particularly of children’s and teenage books, though much will also apply to adult authors.

  1. Understand the score

Publishers and authors start from the same place: wanting your book to do as well as it can. But, inevitably and even with the most wonderful publishers and publicists, a publisher simply cannot be as keen as the author for that book to succeed. Publishers have other books to work on and they also have a budget for each book. The budget is not random: it’s based on how many copies they expect to be able to sell. Throwing more budget does not necessarily sell more (or enough more) books. Of course, a vast budget would sell lots of books but not necessarily enough to cover the budget.

Publishers also have a marketing plan for your book. That marketing plan has been decided (at least in essence) at the time of acquisition, though circumstances can make it change as publication comes nearer. The marketing plan recognises that some things will work better for this particular book and others won’t.

  1. So, ask about the plan

Ideally, have a face-to-face meeting with your publisher 6-8 months before publication. The aim of this is for you both to be clear about what the other can and can’t do. Ask or raise:

  • Who they will send review copies to – these may be proofs or else actual advance copies; add any useful contacts you have to this list
  • Whether they’ll be pitching you to festivals (and which) and library conferences such as FCBG and SLA/YLG. (Remember, those festivals and conferences may very well say no! They have programmes and themes to fill.) If they aren’t pitching you for the big ones, discuss the smaller ones. And don’t be upset if they don’t pitch you for any/many: festivals are not always the best use of time and money. You don’t want to rock up to a festival and find a tiny audience. Better to stay at home chatting to readers online!
  • What press coverage they’ll be hoping for – this requires you to have some topical or newsworthy angles to write about. Suggest ideas yourself.
  • What do they think about a blog tour? These are very hard work but can be useful, depending on the book and the blogs. The (very) hard work will be yours; the organisation ideally theirs. (This is something I don’t plan ever to do again but don’t let me put you off! If I still wrote YA fiction, I might. But the same people seem to read all the various blogs…)
  • Posters for schools? Other materials for school events, such as postcards or showcards? (You can organise your own postcards quite cheaply but a publisher will often design and print a poster. Asking them to design something for you to adapt and use is very low-cost.)
  • Social media promotions and giveaways? Very low-cost.
  • Any specific gimmicky ideas related to your book? For my novel Deathwatch, I organised a world-record-setting Deathwatch Dash, involving SIX separate school visits, each of an hour, in one school day.
  • School events/tour? It’s normal (but not essential) to do a small number of unpaid events around publication, either in a bookshop or, more usefully, in schools. But you can organise this yourself and sometimes it’s better to. That way, you’ll get a programme you can manage. But if your publisher would like to organise something, I’d go for it, as long as they will focus on schools/bookshops with a good book-selling record and as long as it’s super-organised. Don’t do too much, though – it’s exhausting.
  • Launch party or event? Do not expect a launch party! They don’t usually influence book sales so are not cost effective. But they can be fun. Most often these are organised by the author, though very often a publisher will put some money to it or sometimes, if yours is a pretty commercial book, even pay for it and organise it.

Remember that every book is different and good publishers are selective about what they do but the above ideas are very common. Expect something but not too much. If you suggest something and they say no they should explain why. If you come up with a good idea and it’s within budget, there’s a good chance they’ll support it.

Remember that not everything will work for every book. Just because another author had posters on the Underground doesn’t mean that would be right or sensible for your book. So don’t go around feeling let down because a friend had something you didn’t have.

  1. Tell your publicity dept about yourself
    • What are your skills? What things are you expert in? Your contacts? Your relevant background?
    • Can you do public-speaking? Are you nervous about this? Do you want some help?
    • Can you organise your own school events, if you want to do them? OR do you need help and contacts?
    • What are your hopes and fears?
  1. What about hiring your own publicist?

This is not impossible but be very careful:

  • Crucially, discuss openly with your publisher. If it’s for a particular book, your publisher will be understandably wary as this may well encroach on their plans. The publisher must come first in the promotion of your book. BUT it’s not unknown for authors to hire freelance publicists for general publicity work (I have done so) outside the publication window for that book. If you do this, keep your publishers fully informed and never tread on toes. Make it teamwork. I’ve had great success with this. In fact, one of my former freelance publicists is now my publicist at Hachette!
  • Don’t be ripped off. There are outfits that will sell you a promotion package but they may have no experience of the sort of book yours is or how to work with a traditional publisher.
  • Make it time-limited or target-based.
  • Choose someone who has worked in traditional publishing.
  1. Follow the plan – and prepare to adapt to circumstances
    • Keep an eye on what was agreed and what is happening. Publicity departments will be working to a schedule so don’t hassle but it’s fine to remind.
    • Don’t expect anything exciting to happen on publication day itself. It’s just a date! Often nothing happens. Your book has hundreds more days in which to sell.

A few random points:

  1. Join the Scattered Authors Society (for published UK children’s authors). We have a Facebook group and we discuss what works and what doesn’t.
  2. Don’t use a scatter-gun approach. You don’t have to be on Twitter AND Facebook AND Instagram AND have a website. You don’t HAVE to do loads of school events. Or any. Do what suits your personality, life, energy, skills.
  3. Ask for some extra free copies to use as giveaways. Use them carefully.
  4. Keep your website up to date. And your social media accounts if you have them.
  5. Remember that you are the author but ALSO part of a team.
  6. Say thank you often. And well done. And please.
Handy unconscious child

Last resort: for the purposes of great TV for your launch, find a child who will pretend to be unconscious.

Remember: just because X did or didn’t work for someone else doesn’t mean it will or won’t for you. Don’t measure and compare: just do your best for your book and work as well as possible with your publisher.

And eat chocolate. OH – and, if you’re having a launch, have a book CAKE!

I’m sure I’ve forgotten lots of things. Do add comments and ask questions.

3 Responses

  1. I love the book cake!
    Thank you for taking the time to write this. Very helpful.
    I was looking for the section on promoting your book even if you have a publisher. I’ve been contacted by a promotions company for a 50% discount so I was looking for advice.

  2. Hi Phyllida
    Apologies if i’m being dense but I don’t understand – are you saying you didn’t find what you were looking for? The whole piece was about promoting your book when you have a publisher. Your question (about the promotions company) suggests you don’t have a publisher.(?) If you do, you can’t take on a promotion company without discussing it with them and they aren’t likely to be very happy about it as it would probably become awkward and messy.

    If you’re self-publishing, you might well need to pay for help with promotion but make sure you know what you’re paying for and that they have a good record. I can’t advise further as it’s not my interest.

    Good luck!

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